Walk the moon album covers
I think his brain just broke when he was laughing and crying at the same time. “It was a wonderful day when he looked at that first drawing of Lunaria.
“We were discovering ourselves in China, and I got to know the man behind the animator,” she said.
But it was her close collaboration with Keane that provided Desrumaux with the greatest joy. They had specific rules for lighting that extended to layout and performance as well.
The production designer’s collaboration with the animators at Sony Pictures Imageworks was tied to the self-illuminating Lunarians and their world. “We tried to keep the environment vivid and Lunarian, but we populated it with props infused by Chinese culture.” The Private Chamber of Chang’e is a good example of marriage between the Lunarian aesthetic and the inspiration from Chinese culture,” she added. She made it all come together, and the day she showed me of Fei Fei standing in front of Lunaria with crazy, glowing colors, radiating light, made me laugh and then cry.”Īnd then inside there was a different inspiration: The Philharmonie of Paris for the concert hall, where Chang’e performs the original song, “Ultraluminary.” “The curvy shapes of the balcony are really close to our aesthetic of the buildings in Lunaria,” Desrumaux said, “and it really gives the feeling of floating elements.
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“The way Miró did his paintings, it feels like music,” he said, “and it’s full of childlike wonder. Keane then offered an additional inspiration for Lunaria: the surreal work of painter Joan Miró, who had a fondness for conveying the movement of abstract shapes. It was so harmonious with the elements.”Īnd it became an epiphany when Desrumaux smartly flipped the aesthetic for Lunaria, going from reflected light to Chang’e’s sourced light. She pointed out the white walls, and I said, ‘Yeah, they’re white.’ And she said, ‘No, they’re not white! They’re green and blue and gray and brown!’ She went on about the colors and the reflected light. “What Céline brought was her deep study into China and the little water town we visited together. I’ve just had immense joy and appreciation for what we’ve accomplished and feel like we’ve set ourselves up for an amazing comeback.Director Keane instantly embraced the production designer’s concept for connecting Lunaria to Chang’e as a stark contrast to earth. Petricca added, “Whatever success and hits we have in the future, every song is really going to have its own life. As it stands, “Can You Handle My Love?” is a danceable sweet 16 party-ready track that references hard drugs and self knowledge, all while being recognizably Walk the Moon. Many of the tracks on their upcoming album are songs that Walk the Moon wrote all the way back in 2012, and this works because Walk the Moon makes the kind of music that we will all probably still be listening to another decade from now. Their upbeat, hopeful brand of pop-rock has become their calling card and it comes through in their most recent singles. What is truly unique about the band is that they have managed to maintain their signature sound for years without being forced into a chameleon-like makeover that most artists must do every couple of years or so to stay relevant. Walk the Moon have been making music since 2012 and became instant sensations with their angle “Anna Sun.” But it was their 2014 hit “Shut Up and Dance” that made it clear that the indie-pop band was here for the long haul. Walk the Moon is one of those few bands with a timeless staying power that transcends whole decades. “For me, it’s being at a point in my life, where I’m really seeing myself fully through the dark and the light and the imperfections and enjoying owning that,” he said in a statement, “and how ridiculous it is to try and be perfect.” Petricca has had a lot of time for self-reflection, working remotely throughout the pandemic on the band’s fifth studio album Heights, out this fall. Frontman Nicholas Petricca of Walk the Moon calls their latest single “Can You Handle My Love?” a self-love anthem.